๐Ÿ‘ป๐Ÿ‘ป๐Ÿ‘ป๐Ÿ‘ป-20240125_104810-ไผš่ญฐใฎ้Œฒ้Ÿณ 2024ๅนด1ๆœˆ25ๆ—ฅ, ๅˆๅ‰1:48 1 ๆ™‚้–“ 1 ๅˆ† 41 ็ง’

ๅ‹็”ฐ ่œๆœˆ Natsuki Tomoda ๆ–‡ๅญ—่ตทใ“ใ—ใ‚’้–‹ๅง‹ใ—ใพใ—ใŸ

ๅ‹็”ฐ ่œๆœˆ Natsuki Tomoda 0:07 Recording has.

maidelico 0:07 Oh God. It's not that I'm not noticing like it.

ๅ‹็”ฐ ่œๆœˆ Natsuki Tomoda 0:14 You think this is? And you look through Microsoft, it's recording.

maidelico 0:20 Take them.

ๅ‹็”ฐ ่œๆœˆ Natsuki Tomoda 0:22 You know, they give Matthew. There is a curious like it's in big or nothing.

maidelico 0:29 ใ ใ‹ใ‚‰ใชใ‚“ใ‹ใใ‚‚ใใ‚‚ใ€‚ ใชใ‚“ใ‹ใ‚ใ‚‹ใ˜ใ‚ƒใ‚“ใ€‚ ใใ†ใ„ใ†ใฎๅˆฅใซไธ‡ๅšใซ้–ขใ‚ใฃใŸใ‹ใ‚‰ใจใ‹ใ˜ใ‚ƒใชใใ•ใ€‚

ๅ‹็”ฐ ่œๆœˆ Natsuki Tomoda 0:39 ใ†ใ‚“ใ€‚

maidelico 0:44 ใ„ใ‚„ใชใ‚“ใ‹ใ ใ‹ใ‚‰ใฉใ†ใฃใฆใ‚ใ‘ใ˜ใ‚ƒใชใ„ใ‚“ใ ใ‘ใฉใ€‚

ๅ‹็”ฐ ่œๆœˆ Natsuki Tomoda 0:48 ใ†ใ‚“ใ€‚ ใชใ‚“ใ‹่ช‡ใ‚‰ใ—ใ„ใ“ใจใฎใฏใšใชใ‚“ใ ใ‘ใฉใญใ€‚

maidelico 0:55 ใ†ใ‚“ใ€ใใ†ๆ€ใฃใฆใฆใ‚‚่‰ฏใ„ใ—ใ€‚ ใชใ‚“ใ‹ใ„ใ‚„ใ€ใชใ‚“ใ‹ใใฎๆ–ญใ‚‹ๆฐ—ๆŒใกๆ–ญใ‚‰ใ‚ŒใŸๆ™‚ใ€ใใฎๆฐ—ๆŒใกใ‚‚ใ‚ใ‹ใ‚‹ใ—ใ€ใชใ‚“ใ‹ใ€‚

ๅ‹็”ฐ ่œๆœˆ Natsuki Tomoda 1:09 ใ†ใ‚“ใ€ใ†ใ‚“ใ€‚

maidelico 1:11 ใงใ‚‚ใใ†ใ„ใ†ใƒใƒฃใƒณใ‚นใจใ‚‚ๆ‰ใˆใ‚‰ใ‚Œใ‚‹ใชใจใ‹ๆ€ใฃใŸใ‚“ใ ใ‘ใฉใญใ€‚

ๅ‹็”ฐ ่œๆœˆ Natsuki Tomoda 1:17 ใ‚ใ‚ใ€ใ†ใ‚“ใ†ใ‚“ใ†ใ‚“ใ†ใ‚“ใ†ใ‚“ใ†ใ‚“ใ€‚